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Netflix 2016 The four-part docuseries, with each one-hour episode devoted to a single topic (marriage, racism, drugs, and Silicon Valley), served as a teaser for her upcoming three-times-a-week talk show, which will debut on the streaming service in May.—“I’ve never actually been in here before,” she says.CEO Reed Hastings has said he is not giving up and will be “patient” with that market.Through its Netflix Recommended TV initiative, the company gives a Good Housekeeping–like seal of approval to television devices that meet certain performance and functionality criteria.Netflix added five new comedy series last year, plus high-profile docs such as the true-crime thriller Handler has shot a number of these mini docs, not all of them in the comfort of her tastefully decorated home—which happens to be Esther Williams’s old mansion, remodeled with ultramodern conveniences, including a guest bathroom with an electronic toilet control panel so high-tech you need a degree in physics just to flush.Last week, she had flown to Moscow (“a horrible place,” she notes, making a face) to do a segment on young girls in the Russian figure-skating program.titled “Too Hot to Handler,” she was asked out on a date by Scooter.Borderline Amazing Productions 2009–present In addition to most of Handler’s own programs, Handler’s production company created and produced 2014 Handler’s essay collections, five in less than 10 years, have sold more than 2 million copies combined—and were all New York Times best sellers, with four reaching the No. The confessional writings explore similar themes of sex, alcohol, and the embarrassments of her youth in New Jersey.
Netflix 2014 To promote her most recent book, Uganda Be Kidding Me, Handler performed a live comedy show in Chicago produced by Borderline Amazing that was recorded and released exclusively on Netflix.
There will be a live audience and lots of wild-card elements; earlier in the day, Handler held auditions for a child correspondent (“I’m looking for a 10-year-old with attitude,” she says). It’ll be completely different.”In one respect, it already is: It’s on Netflix.
All of this will be packed into a running time of 30 minutes, more or less. Talk shows on broadcast airwaves have censors, commercial breaks, and nightly ratings.
What’s certain is that the program, called , will stream three nights a week—Wednesdays, Thursdays, and Fridays—and feature interviews with a variety of guests about often touchy topics: “abortion, parenthood, the electoral college . .” she says, by way of examples, plus a regular dose of Handler’s bawdy, transgressive humor.
It will feature taped field reports—mini versions of the four hour-plus documentaries that debuted on Netflix back in January. You’re not going to turn it on three nights a week and have an opening monologue, a guest, and a band.And Netflix wants to be a part of that.” Near-live programming, he explains, fits with the company’s push to keep people paying .99 a month. They don’t care about nightly ratings—they care about subscribers coming back. As silly as it sounds, it feels good to do it.” It also makes smart business sense, undoubtedly providing leverage in negotiating with, say, major streaming companies. That means that each week this year, more than one new TV series, movie, documentary, stand-up special, or kids’ show will begin streaming, including Baz Luhrmann’s hip-hop drama, .